Tag Archive | Crime Squad

My Appreciation for Some Film/Drama Artists and Their Work

yisan poster

Yisan

This post is complementary to the post Dear Actor/Actress, I Respect You. This is a collection of my personal expressions of appreciation for some of the characters/artists and movies/‘dramas’ (here for now mostly South Korean) in the past year or so that I’ve started to turn to them for my vicarious learning-of-the-wider-world, and for entertainment, too. The fonts in pink are links to other posts in this blog. ❤

There has already been numerous “stories” I’ve wanted to speak about in this blog, to share my pleasure in them — also Japanese, Chinese/Hong Kong, Taiwanese, Filipino — but there isn’t time enough. In the mean time I decided to little by little pool some my thoughts related to them and post them here in order to reaffirm and say more of my appreciation for the hard work put in by writers, directors, staff, artists, and everyone who has put their sincerity in producing such quality work.

This little post of mine is a way of saying a BIG THANK YOU to the artists/musicians and visionaries working with the film industry who have contributed to the going-round-of-the-world, in the positive way, wherever they are and however they are doing in life now.

Every time I see a “film” I cannot help but be emotionally affected anew by the money-side of the business, just barely able to imagine for myself the financial difficulties that many of the workers/artists involved are experiencing. One “big” example that has made me very sad is the event involving the director of Taewangsasingi ( = The Legend, or The Story of the First King’s Four Gods). With that event this drama has become more valuable to me. Many a time has Taewansasingi lifted my spirits, what with the fantastic soundtracks by the superb Mr. Joe Hisaishi.

Jang-geum and her adoptive father Dukgu

(Dae Jang-Geum = Jewel in the Palace) Jang-geum and her Dukgu ahjussi (“uncle”)

I feel bad that “stories” and story-making is dealt with around the world like just any other mass-produced commodity. People keep imbibing these products, films and dramas, because the stories of our lives and the stories we see/hear about talk to each other. These stories are us, our lives (Dr. Clarissa Pinkola Estes has THE BOOK on this: Women Who Run With the Wolves). The way that greed takes advantage of our need for stories is one ugly reality. My wish for us all story-lovers is to be of help in propagating the pro-biotics, the good germs, the life-supporting elements that we pick up from these stories and anything associated in their making, and to identify those that kill the heart and so be able to deny their power in our lives.

[I hope to add more thoughts here, and pictures also, when I can have the time. Some pictures here enlarge when clicked on. Thank you to the original owners, the makers of these films. ❤ ]

 

Tree_With_Deep_Roots  (2-3).mp4_snapshot_17.00_[2013.10.16_23.39.51]

a young King Lee Do solves a giant sudoku

for:  Tree With Deep Roots

I’ve seen enough sageuk and I say this is among the top.

a young King Lee Do

young King Lee Do (Song Joong-ki)

It fills the sensibilities much more than it pulls at the heartstrings. I am grateful to those who were involved in making such a valuable treasure — I don’t care if it’s just mostly fiction. What matters is that it talks about humanity and is a champion of compassion, openness, and hope. The cinematography + music is refreshing, too. Congratulations to all who have worked hard on it, and it’s not only the actors/actresses but are also all those myriads of people not seen on screen. Banzai! Ganbei! Salud! Prost! Mabuhay! Long live 뿌리깊은 나무 ! Hooray!

radical King Lee Do

the adult King Lee Do

 ⇐for:  Han Suk-kyu

Sir, I fell in love with your King Lee Do / Sejong in Deep Rooted Tree ( = Tree with Deep Roots). I’m so inspired by the character you projected. Though he had much sorrow he was also surrounded by superb people, his friends. I said to myself, wow, a king who makes an impossible dream come true together with friends who in turn love him not as a king but as a person, not the least his son the prince. It’s out of this world yet I find it all realistic. I look forward to seeing more of you on screen, sir. I wish you the best, and much happiness.

Chuno_24 CLOSURE 23

Jang Hyuk as Dae-Gil in Chuno

 

for:  Jang Hyuk⇒

At first I thought you were just some show-off actor when I first saw you in Chuno. But seeing you in Tree with Deep Roots raised my respect for you into unprecedented heights.   🙂    Thank you for putting your heart into your work, Mr. Jang Hyuk. May the many people you inspire by the characters you play be blessings to you as well. I wish you the best.

 

Muhyul decides for Lee Do

Muhyul decides for Lee Do

for:  Cho Jin-Woong

I already admired Mr. Cho Jin Woong when I saw him in Chuno, with the role of an upright soldier ordered by his direct superior to betray the same. When I saw him again in Deep Rooted Tree in a yet another heroic role I decided that I’d like to watch more of his movies/dramas. Though all the actors/actresses in Deep Rooted Tree are superb, and I really fell in love with the king, !and I’m awed by the storyline, but I think Moohyul is among the most regal sageuk personas I have come across. Every time Moohyul appears on screen I would think ‘handsome’, ‘elegant’, ‘proper’, and he’s the best dressed in the drama, too. However, it’s his tiny facial expressions that qualify him as human enough to be the king’s buddy == their teamwork/friendship is impressive … (Sir, I wish you happiness in your work. Salud!)

 

for:  Kim Sung-hyun

… awesome character in Tree With Deep Roots  (as legendary mercenary Kareupaeyi) … wish you all the best!

 

for:  Painter of the Wind

Dan Won & Hye Won paint a mural

 Dan Won teaches Hye Won how to do a mural

 DanWon-HyeWon = the best love story. It’s comparable to the best of love stories there is out there. I believe it’s due largely to the very authentic acting. Their body language speak volumes and the music (Song of the Wind), especially in Episode 4 when they were doing that mural, is smack on the mood. I found myself wishing for a Sonsaengnim like Kim Hong Do  🙂   There’s so much to see and hear (wow lots of music) in here. 20 episodes is too short for me  🙂   I’d have loved to see Dan Won and Hye Won work together for a loooong time, make beautiful art together, make up for lost time, enjoy their special relationship with the king. They still have so much to learn from each other. I love it that their personalities match, and that’s why they always have fun when they’re together, and they understand each other without too much words. So much symbolism and parallelisms.. and I also love the art school guys’ support for Yun Bok and Sonsaengnim. I must mention Hyung/Orabeoni Young Bok as an ideal bff, and even lover…he’s the sweetest… Congratulations to the author, writer, artists/musicians, and directors for a story that will live on. I’m so happy for all the staff/workers and actors/actresses that were involved in this production — you’ve accomplished something very valuable and relevant…I’ve been so touched by its gravity and respect for the audience…thank you very much…I wish you all the best…blessings.

Portrait_of_a_Beauty _fireflies Yunbok & Kangmu

fireflies Yunbok & Kangmu, in Portrait of a Beauty

for:  Portrait of a Beauty  (added 20Feb2014. This film was based on the same novel as Painter of the Wind, above, was. The story is, of course, treated differently here, but is just as haunting.)

Is the movie good? Yes. Is it worth discussing? Yes. Would adolescents understand it? No (they will flounder among the themes; the story’s sense will simply pass over their heads). Was it made just to make money? No. Is it credible? Yes. Where do the depths lie? 1) In Kim Hong-do’s confession of how he failed his student. 2) In Yun-bok’s integrity, in expressing into paper the contents of his/her mind and heart with full honesty. 3) In the film’s reliance on visuals rather than on verbal elaborations. 4) In showcasing the contents of a human’s heart: jealousy, greed, violence, generosity, openness, frailty, trust, courage, lasciviousness… How does the entire film strike you? It’s a fusion of a novel-storytelling (I feel like I’m watching in front of my eyes the words that I read that sound in my head) and a painting (I will never forget the golden sheen of the lovers’ skins, and the general lighting with which they were encased inside that building as they laughed/glowed in each others’ company) and an anthropological study (of a society where females have very limited range of freedom plus that they exist to cater to the needs of the males, where the males were like demi-gods, where royalty is as distant as the moon, where societal class was the measure of a person’s worth). What is the over-all mood? It has a cadence with which one won’t be disillusioned into expecting a happily-ever-after ending. One sits in front of the screen with gravity. For me, I was constantly feeling watchful, because of the constant threat of Yun-bok being uncovered. Then I felt protective of the love between Yun-bok and Kang-mu, where Kang-mu (by actor Kim Nam-gil) was freed from his class thereby becoming just another man reveling in his love for a woman, and Yun-bok’s true form was uncovered and she became a female just like any other human female. Then I felt disgust over the whole cannot-be-helped situation, in the weakness of the respected teacher, in the arrogance of traditions. If the darkness of the night is the context/environment within which Yun-bok’s art/”beauty” exists, then the fireflies are 1) Yun-bok being able to draw out from within herself and transfer onto paper her perception of life; 2) Yun-bok and Kang-mu’s love, where Kang-mu the mirror-maker is himself the mirror with which Yun-bok saw her real self.

 

Lee Bang-ji, warrior (musa), Ddolbok's teacher (sabunim)

Lee Bang-ji, warrior (musa), Ddolbok’s teacher (sabunim)

for:  Woo Hyeon

Sujini & Ahjussi, drinking buddies

drinking buddies, Sujini & ahjussi (Lee Ji-ah & Woo Hyeon)

Dear Mr. Woo Hyeon, I immediately became your fan the first time I saw you in Taewangsasingi. Now I’ve just seen you in Deep Rooted Tree and your character Lee Bang Ji is among my favorites ever. I’m looking forward to your character in The King and the Clown which I plan to watch next. Please stay healthy and thank you very much. Mabuhay po sila!

 

for:  Kim Sun-Kyung

Ma’am, I saw you first in Taewangsasingi interpreting a very strong character, though regrettably the storyline had to kill Ho Gae’s mom early in the drama. Crime Squad was where I saw you next and I really appreciated the way you incorporated being funny, scary, and cool into the character of a cop who is always ready for action. Crime Squad is among my favorite drama series. I look forward to watching your other roles. I wish you the best in life!

 

Gen. Go & Bason, in Taewangsasingi

Park Jung-hak & Kim Mi-Kyung, as Gen. Go & Bason, in Taewangsasingi

for:  Park Jung-hak

Sir, I really really love your role in The Restless  🙂   It was a superb projection — even as a woman myself I don’t think I could outshine your elegance and finesse in there — and it made me see that you’re among the best actors! I wish you the best, always!

for:  Kim Mi-Kyung

Ma’am, my hats-off to your Ba-Son character (Taewangsasingi), such a far contrast to your Dae Jang Geum (Fugitive of Joseon) … my respect …

 

for:   Crime Squad (Detectives in Trouble)

hungry, Sae-hyuk & Min-joo

hungry after the fall, Sae-hyuk & Min-joo

I rated this drama 100%. I like the personalities/roles of Song Il Guk and Song Ji Hyo here (plus the others in the main cast also). Despite that she calls him ‘Ahjussi’ still Park Se Hyuk and Jo Min Joo are right for each other, they’re funny together, not sticky sweet to each other, each passionate of their respective jobs, supportive of each other, accepted as a close-buddy-pair by everyone around them, and so their ‘romance’ wasn’t a source of ‘stress’ for me. Their bond, and the scenes where they are together, was a ‘comfort zone’ to me all throughout the drama, since the scenes have crimes for base stories. The crime-storylines cannot be underestimated also, especially the last case, on which I really gave my full attention to. I am relieved that Se Hyuk and his team are shown to be competent cops who sincerely care for people, and so for me this itself is the drama’s statement, that evil intentions does not pay. Wow, the actors/actresses here are among the best, including those who played small parts. I salute Mr. Jang Hang-Seon (as Retired Team Leader Kwon) and Mr. Kim Kyu-Cheol (as Jo Sung Tae) for roles that are unforgettable to me. This is among the dramas I am never tired of watching repeatedly, the music is good, there’s always something to laugh about, there are many very important life lessons to be picked up, though I do speed thru some gory scenes (!!ironically I learned a nice Korean phrase from one of them: “jal-hae-sseo-yo”, meaning “Well done!”) The bonding within Se Hyuk’s work team and the hilarity in Min Joo’s workplace also endear this drama to me (thank you Shocking.com!) !Park Se Hyuk and Jo Min Joo! Aja! You’re my favorite pair! Thank you ‘Crime Squad’!

 

for:  Chuno (The Slave Hunters)

Chuno_23_1. yangban-in-disguise converse with slave-rebel 12

Eop-bok

Chuno _Seolhwa (0)

Seolhwa

I’d still say NO NO NO to violence but in this series, notwithstanding, I see balance restored, demons vanquished, hope nurtured. My topmost favorite is the slave Eop Bok.  He’s as subdued as the foundation of a huge edifice, having learned to keep to himself that he used to hunt tigers. Of the females my favorites are the slave Cho Bok-yi (she projects an aura of hopefulness despite her dismal status and she neither looks down on slaves nor envy the nobles — she has an inner joy that shines through her ragged appearance, especially that she’s in love) & the silly entertainer/prostitute Seolhwa (her beauty lies in her “simpleness” and I’m happy that she falls in love with Dae Gil). The fast action-music is super! I’m infatuated with it as much as I am with the hot male leads. On a serious note, this series has been enlightening for me, on the way “slaves” and “nobles” see themselves and the world around them, on the distance of the “gap” between them so much so that it’s difficult for somebody of one class to connect with or to get across to the other. The friendship of the 3 buddies Daegil, Choi & Wangson is really admirable. I’m very glad I decided to watch this one not so much because I was entertained but because I learned much about human beings. My many thanks to all who worked hard in this drama. If you’re a fan of Mr. Jang Hyuk then I heartily recommend Tree with Deep Roots.

 

for:  Lee Han-Wi

Mr. Lee Han Wi is definitely one of my favorites. I’m always glad when I see his face on screen, like having that feeling of coming home. I first saw him in Damo, then in Chuno, then in Freeze, then in War of the Arrows — there’s always something ‘hard’ yet ‘soft’ about his character portrayals. I wish Mr. Lee Han Wi the best, and good health!

 

for:  Damo (The Legendary Policewoman)

Ah, Damo, you broke my heart, then you restored it, then broke it again, then offered to mend it. Millions love you already because of that, so what else can I say?   🙂   You’re one of the best romantic sageuks out there. I wish blessings to all who have been blessed in the struggle to get hold of what your story had to say. The struggles and the triumphs of the 4 main characters (for me they were Yoon, Ohk, Sung Baek, and Soo Myung) was awesome. The supporting cast did not lag behind in prominence, too. I greatly appreciate the presence of Mr. Lim Hyeon Shik in it even for the short time that it was. Ah, Damo, I’m still looking forward to analyzing the movement of your storyline.  🙂 As of now I’d say the Yoon-Ohk, Ohk-Sungbaek, and Sungbaek-Soomyung tandems, as well as the camaraderie in the Left Police Bureau, are worthy of envy. May the good influence of Damo live long!

 

for:  Kwon Oh-Jung

Sir, you’re definitely definitely hot in Damo  🙂   I wish you happiness, salud! [added 19March2014: At last, by Empress Ki episode 36 I got to see the whole of your face and it felt so right. I hope the hairstylists don’t pull your hair down over your face again…]

 

for:  The Restless

Jung Woo Sung _The Restless _2006I watched this movie because of Jung Woo Sung — his eyes mesmerize me. I got a very nice surprise when I saw Mr. Heo Jun Ho in here also — I’ve become a big fan of his since Jumong and so I always think of him as ‘Haemosu’ 🙂 I treasure this movie The Restless because of ‘Haemosu’ PLUS Mr. Park Jung Hak’s portrayal of his role — which is another very nice surprise. What impressed me most here is Ban-Chu’s regality, especially the effect of his hair. However, it’s Yi Gwak’s hair that I fell in love with  🙂   its ‘softness’ complements his eyes. I had a big laugh when somebody asked him of what he ate that made him so tall 🙂 ! The panoramic views, the lush grass, the petals, and the firefly-like lights are delightful…they echo the plot’s insistence that it’s love that changes the world.

 

for:  Ji Jin-Hee

It’s been almost a decade since I first saw you, Mr. Ji Jin Hee, and after so many dramas/sageuks that I’ve been through you remain a big favorite. I watched the movie Paradise because of you and afterwards I found myself so inspired by it. Thank you very much, to you and to everyone involved in its making. Your parents must be very happy to have you, indeed. Please continue to be in projects that will encourage the ordinary everyday person. May God bless you.

 

for:  Lim Hyeon-Shik

Sir, thank you for your portrayals in Dae Jang Geum (as Jang-geum’s Dukgu ahjussi, seen sitting with her at the second topmost picture in this post) and Yisan (the eccentric painter who teaches Songyeon). You’re one of the best! I wish you happiness and health 🙂

 

for:  Seo Beom-Sik     Seo Bum Sik

Just want to say a WARM HELLO to one of my favorite actors ever! Ever since I saw you in Jumong I’ve always looked for you whenever I’m into another sageuk/drama and always am happy whenever your face appears on screen regardless of your role. I wish you all the best, and blessings! [added 19March2014: I knew it! Since you are cast as antagonist to Goryo’s King Wangyu ( in Empress Ki) then most likely the character you play will be killed in battle. I was not wrong. Phew! Well at least I got to see that you’re doing as great as ever…]

 

for:  A Frozen Flower

I’m glad I watched this film. I looked at the struggles of the three main characters. I find it awesome, how they handled it. The three actors did very well, always a tug of war between suppressing or expressing emotions. A Frozen Flower 2008 _posterThe king is frightening, the queen is courageous, Hong Lim is true to himself, wonderful set design and costume, and music. I think the ‘flower’ also refers to the CAPABILITY of the queen and of Hong Lim TO LOVE AS PERSONS, as an individual, that would have remained ‘frozen’ had there been only the king as the object of that love (Hong Lim as lover and the queen as wife). Had it remained so then Hong Lim would not have known passion of the like that he had with the queen. And the queen would not have gotten pregnant (you know what I mean). Unfortunately for the king an un-freezing/thawing/warming happened between the two persons closest to him and, well, he just had to do something to re-freeze it, so to say. I agree with xxxxx, that “the interpretation of the ending will depend on the person.” For me I choose to see it as a happy ending for both the queen and Hong Lim because somehow, given the context vis-a-vis the capability/power of the king, both Hong Lim and the queen evolved into his/her “own person”, they became ‘persons’ and not just ‘bodyguard/subject’ and ‘queen’, and they also came to know how it is to truly/selflessly love another “person”.           

and also:

… yeah I’ve been wondering too about the flower that’s been “frozen” ..

sword dance, A Frozen Flower

sword dance, A Frozen Flower

It does make sense that the queen’s facial expressions have to be “frozen” and yet have to express emotions at the same time, and I think she has done it very well… she has to project coldness and distance because this is what’s expected of her in that setting…
Hong Lim was VERY COURAGEOUS when he sent the honeysuckle tea to her, and again when he gave her the necklace—a mere “servant” does not do that to his queen, because in this setting doing that is like shouting out your love, nevertheless the queen answered when she wore the necklace in public—it was a very safe way of shouting out her love, in which Hong Lim would only be the one to understand the message…

Hong Lim’s sexuality has also become “unfrozen” when he fell in love with the queen… instinctively he just kept mum about it when the king asked him how it was to become a “man” at last— he gave the king an evasive answer to protect all three of them, knowing that the king would be jealous of the queen and he didn’t want her to be a target of such ill-feelings, knowing that the king would be hurt and he didn’t want to betray the king even in that way, and for himself guarding that his newly found wonderful “freedom” isn’t “crushed” at its bud…

A Frozen Flower main cast _Jo In Sung _ Song Ji Hyo _  Joo Jin Mo

Jo In-sung, Song Ji-hyo, & Joo Jin-mo: the main cast having fun promoting their movie

What makes this story unforgettable for me is the portrayal of choices of victims of circumstance. I love it that Hong Lim and the queen did come to the point of being willing to die for each other’s sake—both had nothing at first, but eventually a self-sacrificing love blossomed, became unfrozen. Also, that Hong Lim might have felt betrayed by the king when he was ordered to father the queen’s child—I mean, he might have looked at sex as an expression of deep affection—and in a sense it would have bothered him that the king himself, the object of his affections then, would order him to a “betrayal” (one can’t simply switch affection on and off) …the saving grace is when he sees that the queen is alive, who with his growing baby inside her is the redemption of his castrated state, and so was willing to forgive the dead king, and be reconciled with him at his last breath for old time’s sake…

 

Hong Da-in's Do Mun Jipsanimfor:  Seong Woong

   🙂   if the doctor had not been there I really wished you for Da-in  🙂 but too bad the social stratification didn’t allow you to pursue her affections for you, because I saw that Da-in had a strong attachment to you also   🙂   — in The Fugitive of Joseon (Mandate of Heaven)…  anyway, your Do Mun character is unforgettable to me … I wish you the best!

 

Park Sae Hyuk_Jo Min Joo .Crime Squad. ep12  (6)

Jo Sang-tae under investigation

for:  Kim Kyu-Cheol

Sir, thank you for your Jo Sang-Tae role in Crime Squad … that has touched me, plus that he brought together all the main characters in the drama, at the finale … I’ll always remember your poignant scene with Jo Min-joo in front of her house   🙂   I wish you good health and the best!

 

for:  Jang Hang-Seon

Sir, I’ve seen you only twice — Taewangsasingi and Crime Squad — but you’re already one of my favorites   🙂   Please stay healthy for a long long time … !Ganbei!

 

for:  Strongest Chil Woo (Chilwu, the Mighty)Chil Woo ending

?who cares about the criteria of a “good” drama? For me this one’s so lovable with or without Eric and I’m counting it as among my favorites   🙂 The cast is super, many of my favorite actors/actresses are here. Even though for several their parts are small, still I will treasure this drama because of them. Personally I feel like for the 20 episodes I’m seeing the personality of Eric in drama form: serious depth and bursts of silliness   🙂

 

for:  A Werewolf Boy

This film is so human. I’d score it more than 100% if I could. It doesn’t matter that I had to depend on the translation. It’s not the fantasy or the scientific possibility part that attached me to this film but it’s the way the folks involved handled the situation. The mother, the neighbors, and the children are simply lovely people. Even a non-Korean like me can clearly appreciate that. This question plays in my head about it: what-if-it’s-true? If it’s indeed true then the story is simply beautiful, as beautiful as the lush garden that Chul-soo keeps in his home.

 

for:  Sungkyunkwan Scandal

Gul-oh!ahahaha umuulan ng kagwapuhan! ( = a raining of handsomeness)  🙂 this drama is so student-life, albeit set in sexist Joseon era, but that’s just how it was  🙂 I’ve had lots of laughs in here, it’s so entertaining as long as one can overlook the usual dragging dialogues. I’m in Lesson 7 now and I’m not gonna breathe until I finish this one, and then I’m gonna watch it again over vacation for in-depth analysis  !students rock!  🙂

 

for:   Tajomaru

It’s a fairytale — sort of, where the protagonists and antagonists keep switching. Beautiful scenic shots. Lovely lovely costumes. There’s tragedy all throughout but I like the ending, because it makes sense and it sets Naomitsu free from a horrible life under the shogun. I’m currently infatuated with Oguri Shun so any film that has him I’d definitely “like”.  🙂

 

for:  The Woodsman and the Rain

I have to write it in capitals: Oguri and the Woodsman _seatsTHIS IS A VERY GOOD MOVIE. This is my most memorable Oguri Shun character because this is where I first saw him and immediately I warmed up to him. Of course, Mr. Yakusho Koji is in his usual best. This movie is warm-hearted, funny, quirky, uncluttered, cozy to the heart. It reminds me of woodblock prints, seemingly monotonous but is actually rich and detailed if only one looks close enough. I’ve seen many other Oguri Shun characters after this but I love him most in here — and with his natural unruly hair! This is about family, friendships, authentic rural neighborliness, and film-making, too. If you love people, and if you also like anything Japanese, then this film is a treasure.

———————————————

A Sleeping Forest _poster

A Sleeping Forest

… that’s it for now … … I’d love to talk next of Kaneshiro Takeshi (Golden Bowl, & more), Kimura Takuya (A Sleeping Forest, & more), Eita (Toad’s Oil), Secretly Greatly, Ahjussi, Jun Matsumoto (Smile), The Men Who Tread on the Tiger’s Tail, Seven Samurai, Zatoichi (2003 film, especially on the geisha siblings and The Stripes tap dance at the end), Sakuran, Petal Dance, …  … currently re-enjoying the soundtracks of Return of the Condor Heroes 2006 … currently trying to watch Gu Am Heo Joon and Su Baek Hyang (theme song here is lovely) whenever I can … had just sped through the jewel Water Bloom and I highly recommend this old drama to anyone who loves the simple things in life or anything Korean or has Song Il Guk in it … set to watch old Keanu Reeves films plus his two newest, Man of Taichi and 47 Ronin  …

  … really want to find the time to make a nice post featuring Park Sae-hyuk, Jo Min-joo, Jumong, and Ye Soya  

  ♥

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  ♥ —————————————-

 

added 9January2014:

for:  Kisaragi

Kisaragi _posterAs usual, I wasn’t surprised at how this film ran, after watching several Japanese films already. It’s simplicity in complexity and complexity in simplicity, a constant harmonious motion from one point to the next, so artful, so tasteful, so subdued and successful in highlighting where it should — and great acting! I’d say the story borders on the absurd, but that’s storytelling for you. I was glued to the screen without meaning to, because I was skeptical at first and thought that I’d fast-forward. But then it just happened that didn’t realize I was mesmerized until the film’s almost over. If you’re an Oguri Shun fan it’s a must-watch. The heart of the story, though, is very realistic and should be taken with respect and gravity. It’s a statement on the personal lives of the faces in the entertainment industry.

 

added 16Feb2014:

for:  King’s Daughter, Su Baek-hyang

… (by Episode 89 –> ) … waaa! Kuchon dies! I don’t like this! waaa!

Kuchon says farewell to step-daughter Solnan

Kuchon says farewell to step-daughter Solnan

I really can’t comprehend how Solhi turns out like that when her parents were like angels. Solnan-Kuchon is the best step-father-daughter relationship I’ve ever encountered on screen. However, it’s the king and Jinmu that I worry most about, and on what effect it will be on Myongnong when he finds out that it’s for his and his father’s sakes that the king did all of these…I laughed loudly when I read somewhere that her blood boils whenever she sees Solhi on screen. Mine simmers. It’s unbelievable how twistedly selfish this character is. I really have no sympathy for her. Unlike many other sageuk antagonists, this spoiled brat has no excuse at all for her behavior. She’s just fortunate that Kuchon has not abandoned her, ever since then, despite seeing through her lies. In the real world there are indeed kids who end up that way despite being born in a nice and caring family. So, she better not have her cake and eat it, too, because I’m rooting for the happy endings for the nice people around her, including Jinmu. Would it be too much to hope that Solhi finds the right path somehow? Poor, poor, girl. She missed the opportunity of being good friends with one of the nicest queens I’ve seen on sageuk-land! As for Solnan and the nice prince, I really really wish for your happinesses 🙂 Please, let them end up together. [added 19March2014:  !ek! the smileys are now pudgy little faces 🙂 so kawaii! ah, I just finished the 108th episode, the final. well, what can I say of the ending?:everything was put into their places. it felt like I have just done reading a legend that will give me sweet dreams. I had thought that the way Solhi was resolved is rather the easiest way out. But then again I remember that in our class discussion in school me and my classmates rather saw that us humans actually have no free choices. It’s because there are factors affecting our behaviors of which we are not aware of, of which we have no control over. Still, I’d say Solhi had it really easy, lucky girl. But then if love is at work no power can go against it. subaekhyang. centennial fragrance. lovely story ❤ ❤ ❤ <– see I was right heheh the hearts are now available! ❤ nice WordPress, thanks 🙂

 

 

a very scared heir to the Yuan empire

a very scared heir to the Yuan empire

Anna taste-tests Bongi & Dong-hae's recipe

Anna taste-tests Bongi & Dong-hae’s recipe

for: Ji Chang-wook

hah… “Bakit ngayon ka lang dumating sa buhay ko?” ( = “Why is it that you’ve come into my life only just now?”, and it’s a nice song, too)  ahh… Ji Chang-wook-ssi, I like you now despite of your very pretty face 🙂 Baek Dong-soo didn’t convince me then; it’s this scared-ly Yuan emperor that did it, this adorably pale awkward spoilt rich kid, enough to make me go through Dong-hae’s life (Smile, Dong-hae) while waiting for the rest of the episodes (of Empress Ki), enough to make it fine for me that Sungnyang does not end up with the gorgeous Goryo king …

Dong-hae, Anna, & Bongi's family

Dong-hae, Anna, & Bongi’s family

 Bild 2014-07-06_14-07_003Mr. Ji Chang-wook, I wish you the strength to choose film-roles that will provide positive inspiration for the everyday person on the street, especially the youth 🙂 may you prosper in your choices and plans whatever they may be in the future … banzai! [Please see also about My Too Perfect Sons, below, after a bit of scrolling… thanks ❤ ]

 

 

Park Ki Woong _& Secretly Greatly co-stars

Secretly & Greatly co-stars

added 25Feb2014:

for:  Park Ki Woong

Hello Mr. Park, your character in Chuno Park Ki Woong _in Chunomade me think “Just another wannabe actor taking advantage of his good looks” because appearing as a villain like that shouldn’t be such a difficult job, and I especially detested how that character betrayed my favorite Eop Bok. But then I saw you as among the good guys in Secretly Greatly, in a subtle-multiple-layer character that you did very easily despite your pretty face, and so I thought I judged your face rather harshly. I am very sorry, Mr. Park. 🙂 Peace. I’m looking forward to appreciating your work again in Gaksital Park Ki Woong _sweetand I’m now preparing my heart and my mind before watching it, knowing that I will get involved in the story and I will not escape its effects on me 🙂 Mr. Park, please remain the sweet guy that I have found out you to be.Secretly and Greatly Kamsahamnida 🙂

 

… I will find time to write about Secretly and Greatly … I need to find a way to salvage it from the glaring violence that occupies much of its time … [added 23June2014]

 

 

added 2March2014:Donnie Yen - Tang Wei - Wu Xia - 2011

for:  Wu Xia (Dragon)  

… this 2011 movie, Wu Xia (or Dragon), says it is neither the past nor appearances nor parentage nor affiliation that makes a man … it has the stars Kaneshiro Takeshi, Tang Wei, and Donnie Yen set against the backdrop of an obscure Chinese village where life is simple and sweet … it features two kinds of family life: one is full of love and peace, the other is as gruesome as hell … Kaneshiro Takeshi _Wu Xia poster 2011if you plan to watch this movie then it’s best to find time for it because it deserves an undivided attention … it’s like a dish that has been richly flavored by subtle additions of an array of condiments and spices … what one can take out from it depends on how much of life one has already come across … it is neither shallow nor simply entertaining, because it remains as something to be pondered about long after you’ve seen it … this poster featuring Kaneshiro Takeshi’s face says the truth about it …

 

added 4March2014:

for: Emergency Couple

Baby Gooki

 (as of episode 11 15) !ahahaha I totally Emergency Couple- on the setunderstand why this drama is so beloved, coz it’s also making me grin with glee from ear to ear just witnessing the developments 🙂 I wonder how the story will end. Whether Jin-hee ends up with the awesome & handsome chief [ ❤ he is the actor Lee Pil-mo, more about him below, in for: My Too Perfect Sons] or gets back with cutiepie Chang-min I hope the other guy can end up happy, too (is that possible? !haha) Baby Gook _Emergency Couple _yawnI’m happy for Song Ji-hyo because she’s doing great here but I do hope she gets more rest …    Emergency Couple _Baby Gook _ ep15  I’m a bit worried that she looks like she’s not getting enough sleep … I really admire this actress 🙂 I can spot several events here that are similar to Crime Squad & I’m just delighted at the coincidences (having a meal together with Chief Gook/Park Saehyuk & where he secretly gets amused at her; she shops for a gift for Chief Gook/Saehyuk at a clothes store; Emergency Couple _Baby Gook  ep15she’s comfortable & nimble in footwear without heels; she has non-flamboyant but trendy/cool wardrobe; she’s struggling to prove her worth in her job) … I wish the best for whole team that’s making this series refreshing, intelligent, & fun to watch! And please don’t pressure Baby Gooki to work!  🙂  Emergency Couple _Baby Gook _ep15!NO NO NO NO! I just saw baby Gooki cry! Don’t put him in a situation where he’ll possibly cry! Or else remove him totally from the series! You can’t use a baby this way! Arrrgh!!! <– I’m sorry. Gooki visits Chief Gook_Emergency Couple ep15I think that was very strong language there. I still feel strongly against babies crying for no reason, but at the same time I understand the situation. [added 22March2014: By episode 16 baby Gooki is fine. I have a post on it, here, where I also share a few captures of him — has been updated and includes those until episode 21.]

 

for:  My Too Perfect Sons  (added 14March2014)

My Too Perfect Sons _castThis is a 54-episode family type drama. I’m in episode 13 now and its magic for me has not waned. This series has been cracking me up since the beginning. My Too Perfect Sons _ castI still don’t know how it ends but as of now I am convinced that I have found another jewel. I had no idea before I started watching it that it’s this good. I have already cried a load along the story but please don’t be put off by this. It’s a drama after all. I appreciate these tear-inducing parts because they help in making the characters more real-like. Also, many of these for-cry episodes act as removers of sting from the nasty characters. Harabuji Abuji MiranThus I am not stressed out by any one character here, making me appreciate more the unfolding of the story. So it’s not all silly laughs, and it’s not even an all-sweet-flow because there’s lots of nagging from all sides that personally I would be exasperated many times a day had I been living among them.

My Too Perfect Sons poster

this thumbnail zooms in greatly when clicked on

The story revolves around a family that has 4 adult single sons, of which the eldest 3 are professionals and are being nagged by their mother into marriage. I have put here photos of the main cast because I don’t have the time now for writing much about any and each. If you’ve been around quality K-dramas for a while you’d recognize that most of these faces are among the ablest in the industry. Names on the upper rows are the artists’ names, while those on the lower rows are their character names in this drama. I ended up here in my search for other Ji Chang-wook (the emperor in the current Empress Ki) and Lee Pil-mo (the ER chief resident in the current Emergency Couple) characters. If you like these two then My Too Perfect Sons is a must for you (incidentally, it’s Ji Chang-wook’s first drama). My Too Perfect Sons _mother Okhui & hers 4 sonsI already have lots of love for each of the main characters (except Choi Soo-hee, who has appeared only once so far hence the audience still has to get to know her). If, like me, you’d want to know more about ordinary folks’ lives in present-day South Korea then you’ll be charmed by this series. Don’t expect, though, that what you see here is an accurate description. Song Daepung & Kim BoksilIt is a tailored presentation, after all.     But I have warmed up to it this much because it’s near to the normal family situation where farts, burps, dog poops, and blowing of noses are part and parcel of living with loved ones within close proximity. My Too Perfect Sons _Song brothers + BoksilThere are lots of bond-drinking, too, but thankfully none has thrown up on another yet. I hope there’s none of this  here, hahaha. However, there was already something similar to this in one of the episodes. That one also cracked me up. The menfolk here are as crazy and as whacky as the womenfolk. This is among the rare K-dramas where I am not irritated by a bitch-type or a meek-type character. Yes, both types are here but somehow they manage to come across as bitch/meek with a substance.

My Too Perfect Sons _Song brothers L-R _Daepung, Jinpung, Seonpung, MipungNo one’s paying me to say things here. I’m just sharing my joy with you 🙂 I’m going back to watching episode 13 now. Have a super day! (Thanks to asianwiki for the My Too Perfect Sons main cast photos.)

>added 19 March 2014. Superb. I have just finished the watching the drama. I relished every episode of it. I’m smiling like the Cheshire Cat right now as I’m writing this update. My Too Perfect Sons did not disappoint me until the end. I now confirm that this is among my favorites. My Too Perfect Sons _Song brothers L-R _Mipung, Seonpung, Daepung, JinpungThe story of the Song family, of their 4 handsome sons and of the people involved in their lives, was carefully crafted to showcase family related events so as to encourage the viewer with the message that no matter what the situation is living shouldn’t be taken too seriously. It’s because in life no matter what the situation is unexpected events could always turn up and they could lead us to paths we never thought we’d take. Ahh, I’m so sleepy now I can’t think much anymore. I’ll just describe the entire drama this way: it’s like a cuddly teddy bear, big, soft, cushy, and warm. My Too Perfect Sons _Song familyIf I have to choose a most favorite character then it would be Song Gwangho (by the great actor Mr. Baek Il-seob), the father of the 4 sons. Anyone who has a father like him can’t be anything but a happy child, and anyone who has a child like him can’t be anything but a happy parent. But the rest of the main characters are also lovable in their own unique ways, including Miran the boys’ cousin who’s not in the photos above.

I now count this as among my treasure of ‘comfort’ dramas, stress relievers without fail, the others being:

Golden Bowl (Japanese) [background theme: bowling],

Hana Kimi – Taiwan [background theme: a girl in a boys’ school],

Yankumi's class at play _Gokusen 1Gokusen-1 [Japan, whacky boys’ class + whackier teacher],

Crime Squad [police work & a journalist],

The Legend (The Story of the First King’s Four Gods or Taewangsasingi) fantasy-myth,

The 5 kids studying _God of StudyThe God of Study [down-to-earth teenage kids and their awesome school teachers],

Take Care of Us, Captain [aviation & admirable characters of the 4 leads],

Return of the Condor Heroes 2006 [wuxia-fantasy],

❤ and, hopefully Emergency Couple [medical] based on episode 15 so far.

Kaja! (let’s go!)

    

 

 

 

 

 

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Why I prefer Ye Soya and Buyoung over Soseono, Eun Go over Choyeong, and Yihwa over Jiwoo

🙂 updated 16th April 2014 ❤

(…still pending further editing and illustrations upload… The author of this essay is very grateful to all sites that have made available in the net all the illustrations shown here.)

Maybe it’s just me. There could be others like me out there who sometimes don’t go along with the crowd. I am seriously meditating on how to talk about the similarity between Kiha and Eun Go, both bad girls, but also wronged by circumstances. Both are characters of serious depth that the producers/writers have to ruin because of necessity. Kiha is simply superb though rationally I go with Sujini. Equally irrationally I go with Eun Go, all the way. I guess it’s not the fundamentalist-morals that I’m looking at here. That’s why I choose Yihwa, too. There’s got to be some X-factor, and I want to try hard to get my hands on it. If I can. I’ll try my best to be coherent.

The dramas mentioned here are primarily these three: Jumong, Gye Baek, Freeze. Though there are illustrations I hope they’re not spoilers—I don’t have summaries here. Then, in passing there’s, some more, some minimal: Dongyi, Yisan, Return of the Condor Heroes 2006, Damo, Kingdom of the Winds, Jang Geum, Crime Squad (Detectives in Trouble), The Legend (Taewang Sasingi), Mandate of Heaven (The Fugitive of Joseon), one very precious movie of 1997, Gattaca, and a couple of unforgettable series, The Thorn Birds and Highlander.

I must confess, though, that I have not seen that much Korean dramas. I watched what I already have only because of the actors/actresses appearing in them, and I don’t have a lot on my list. As a rule I find dramas emotionally exhausting to engage in. It so happens that there are characters that can cause me to engage more with life, even with the weighing of values, and these characters I do treasure. I believe that the soul of collective humanity can be discerned in the mass media, like a sort of a gauge. This essay isn’t that serious, though. This is just an indulgence.

A favorite character Chae Ohk I can’t include in the billing here because she doesn’t have a rival in her story. Same with Miss Long, the famous gugu who doesn’t age—the many girls surrounding Guo’er can’t really compete with her. As to Yeon, well, I like the character Hye Ap better. Much much better. And who would seriously want to rival with Jo Minjoo? She doesn’t care about such things. She doesn’t even know much about falling in love (as Sae Hyuk points out to her). She simply suspects she’s sick of some mysterious ailment.

Pictures zoom in when clicked on. A million thanks to the makers of these dramas. Here we go.

The King of Goguryeo, Jumong, and the queen, Soseono

The King of Goguryeo, Jumong, and the queen, Soseono

Soseono is Jumong’s number 1 supporter. She was never aggressive towards either Buyoung or Soya. She’s filial, pretty, smart, pro-active, generous, loyal to, and loves, Jumong, very much. The sacrifices she made for Jumong cannot be quantified. But somehow I find myself happier for Jumong when he had Buyoung with him, and then Soya later. For me Soseono has a flavor of just another Jumong but in female form, a character who manages to accomplish magnificent feats by will, someone who must be projected as larger than life on screen.

"Best friends" Eun Go and Queen Sa Taek chatting.

“Best friends” Eun Go and Queen Sa Taek chatting.

Eun Go, similar to Soseono, is filial, pretty, smart, pro-active, generous, loyal to, and loves, Gye Baek, very much. The sacrifices she made for Gye Baek cannot be quantified. Eun Go and Soseono are both rich merchants in their own right, with families influential to the crown. On the other hand, Choyeong is similar to Buyoung. They are both without riches, power and influence. They’re both commoners, servant/slave in fact. But since I side with Buyoung rather than Soseono, and with Eun Go rather than Choyeong, then it’s not the social standing that I’m looking at.

Jumong catches up with Buyoung after missing her for a year.

Jumong catches up with Buyoung after missing her for almost a year, he says.

However, Jumong really pursued Buyoung. Whereas, Gye Baek gave personal attention to Choyeong only at the remaining 6 episodes of the series. It seems like Choyeong had to be kept in the series so that Gye Baek will have a respectable wife at the end of the story. Just like Wootae had to be there so that there’d be an acceptable husband for Soseono. This shows that Eun Go did not really need a female bodyguard, just like Soseono didn’t. If history hadn’t called for a wife for Gye Baek then Choyeong’s role is dispensable. The same with Wootae, as history calls for Soseono to marry someone before Jumong and she must have two sons by him. The difference between Choyeong and Wootae, however, is that early on in the story Wootae was already a bulwark to Soseono, a silent devotee. Like Seongyon’s Daesu, Da-in’s Domun, and Dongyi’s Orabeoni. Choyeong, on the other hand, just seemed to be there to provide a contrast to Eun Go’s regal demeanor.

If Soseono was pressured into leaving Jumong’s side, so was Eun Go. Both needed to survive. Granting that Soseono did not know that Jumong did not die and that marrying Wootae a.s.a.p. was the only solution. Granting that Eun Go had to choose, between staying alive — or die but remaining as Gye Baek’s. Soseono was initially sarcastic to Jumong. So was Eun Go to Gye Baek. When Jumong met her he was in the role of a good-for-nothing jerk. When Gye Baek met her he was the son of a drunkard. My preference, therefore, does not lie in these factors.

Jumong happy to get Buyoung

Jumong and Buyoung. It could have been them.

I think it’s the factor of emotions coming from Jumong and Gye Baek whenever they direct them to Buyoung, Ye Soya, and Eun Go that caused me to prefer them over Soseono and Choyeong. jumong presents buyoung to the threeIt’s comparable to how Dam Duk treats Sujini. The viewer somehow knows that Dam Duk wants Sujini there, with him, in that scene. Like, it’s always clear to the viewer that regardless of Hwangbo Yoon’s mood at the moment his main concern is Chae Ohk’s welfare. Even Officer Park Sae Hyuk’s treatment of Jo Minjoo is (more) exciting despite that he is almost always care-less of her, and with a dynamite of an ex-wife-still-in-love-with-him to boot. Jumong makes everyone happyI have the impresson that Jumong’s bland treatment of Soseono after their marriage is comparable to Gye Baek’s of Choyeong. Jumong values her but there’s a space surrounding him that she’s not allowed to enter. He keeps hoping that Ye Soya is still alive. Gye Baek values her because she’s there for him after Eun Go, has given him precious children, but she’s more like a friend than an inspiration.

Gye Baek has invested so much of his self with Eun Go. His investment in her is almost the same as Yoon’s in Ohk—it’s a lifetime’s investment and this kind doesn’t simply get blown off by the wind. It has roots. Although, Jumong’s in Soseono’s seems to be greater than in Soya’s, but a mere sense-of-duty shouldn’t have been able to sustain 18 years of painful hoping. Soya, after all, is Yuri’s mother. Though not as great as being a co-founder of Goguryeo as Soseono is, Ye Soya had no preparation whatsoever for the life she had to lead after leaving her village plus after marrying Jumong plus after escaping from the palace. She did not have the safety nets Soseono had but still she had to bring up the king’s firstborn, Yeohwa’s and the great Haemosu’s only grandchild.

Of course it was all bliss between Jumong and Soseono before Soya came into his life. They were an ideal couple. But did Jumong suddenly just up and killed his feelings for Soseono when she married Wootae? However, they eventually got married, too. That was opportunity enough for reviving the feelings. But these feelings that should have been revived between ex-lovers that got married anyway were referred to only at Soseono’s departure-meeting with Jumong, when she told him of her decision to uproot her clan and settle somewhere else away from his kingdom. That’s the only affectionate scene between them in their 15 years of marriage. There were no affectionate expressions anymore involving Jumong and Soseono in between the events of his mother’s death plus loss-of-Soya-Yuri up to the coming back of these two in his life. It’s as if Soseono is just there because she’s the deserving queen of the new kingdom, and that a heartfelt scene from Jumong had to be presented at her departure to justify that Soseono is billed as the main romantic interest of the hero in this drama series.

There was more engagement on Jumong’s part at that time Buyoung was still with him, even at the period overlapping with Soseono’s presence. He was a funny dork in his pursuit of Buyoung at the time when she was a temple acolyte. Buyoung, though having severely suffered because of him, still treated his fatal wound. Buyoung was his intermediary between his hide-out and the world-out-there during the time he was with Haemosu. Even though he was stripped of his princely status, thus left helpless in the dangerous world outside the palace, he still exerted his best for Buyoung’s redemption from slavery. That meant being patient, daily risking Buyoung’s safety, and saving up a huge sum through his own sweat. When he was kicked out of his comfortable world, seemingly abandoned even by his mother, it was Buyoung who constantly reminded him that he is a prince of Buyeo, someone with worth. So she prods him to take care of himself. She had nothing but she did not grasp at the chance to have an easier life with Ohyi. There was only Jumong for her. In fairness, when Buyoung was in danger Jumong went ballistic and thankfully succeeded in rescuing her, finally redeeming himself in everyone’s eyes over the matter with Buyoung, whom the series had to discard in preparation for the places Soseono and Soya had to take in the storyline.

Buyoung’s value lies in that she is the fulcrum on which the brotherhood Jumong-Mari-Ohyi-Hyeopbo solidified. These three became witnesses to Jumong’s personal journey from Buyoung to Soseono to Yesoya to Yuri. Also, the problem involving Buyoung was Jumong’s baptism into how to fight for survival in the political arena involving the two other princes. Prince Youngpo, who knows about her connection to Jumong, got her kidnapped a second time, to use her against Jumong in the race for the crown. The character Buyoung was taken out from the series at the 23rd episode. In preparation for that, Jumong frees her then from the burden of guilt by confiding in her that he’s really at the crossroads, what with his recent discovery of his true parentage and the responsibility he does not feel equal to, and so she’s not to be blamed at all. Buyoung resolves everything by leaving, refusing Ohyi’s offer, and providing a perspective as to why Ohyi remained unmarried till the end.

12. Jumong traces Buyoung and goes to get her, alone

Jumong traces Buyoung and goes to get her

13. Jumong singlehandedly rescues Buyoung

Jumong singlehandedly rescues Buyoung

14. Jumong takes away Buyoung

Buyoung is safe for now

15. Jumong takes away Buyoung..

Success for now

16. Jumong has Buyoung

The prince rescues the slave

17. jumong surprises the three

Jumong surprises the three

18. Jumong happy to get Buyoung for all

Simply relieved and happy, Buyoung with Jumong

19. Jumong asks forgiveness for jeopardizing everyone

Jumong asks forgiveness for jeopardizing their brotherhood

20. Jumong and the sworn brothers make Buyoung happy

Precious Buyoung-rescue effect: brotherhood solidified

12. Buyoung was a pawn in the power struggle

Buyoung was a pawn in the power struggle.

13. Start of Younpo_s series of machinations _Ep_23

Youngpo’s evilness emerges. Ep.23.

14. Jumong_s reaction.

Jumong is on his way to mastering self control.

15. Youngpo gauding Jumong. Ep_23

Youngpo underestimates Jumong.

16. The value of Buyoung.

The value of Buyoung.

17. Heopbo again articulates their feelings.

Hyeopbo again articulates their feelings.

18. The self-effacing Buyoung caught in the chaos.

The self-effacing Buyoung caught in the chaos.

19. Of course Buyoung would rather sacrifice herself.

Of course Buyoung would rather sacrifice herself.

20. Soseono is jealous that Jumong withdraws from the competition because of Buyoung.

Jealous Soseono learning why Jumong withdrew.

21. Buyoung is freed.

Buyoung is indeed freed.

22. Buyoung is freed.

Disbelief at Jumong’s capitulation.

23. Jumong caught in the trap.

Jumong was caught in the trap.

24. Jumong and the guys caught in the trap.

Buyoung was not the only factor, though.

25. Heopbo articulates their feelings. Again.

Frustrating for everyone nonetheless.

26. Of course Buyoung would rather sacrifice herself. _1

Buyoung’s heavy burden.

27. Soseono overhears the 4s conversation.

Soseono overhears the four.

28. The self-effacing Buyoung.

Buyoung owns up to responsibility.

29. Jumong ever nice to Buyoung.

Jumong is ever nice to Buyoung.

30. Jumong ever nice to Buyoung.

Jumong frees Buyoung of guilt.

31. Ohyi proposes to Buyoung.

Ohyi proposes to Buyoung.

32. All in favor of Ohyi and Buyoung.

All are in favor of Ohyi for Buyoung.

33. Buyoung says goodbye to the series with a letter for Jumong, which he reads in sight of everyone.

Buyoung says goodbye with a letter for Jumong, which he reads here.

34. Buyoung is not allowed to love Jumong.

Buyoung is not allowed to love Jumong in the first place. Chincha.

35. Buyoung resolves her part of the story.

Buyoung resolves her part of the story by leaving.

 

Jumong  embraces  Buyoung_ep_11

Jumong and Buyoung. Ep-11.

Jumong embraces Buyoung_ep_11

Jumong kisses Buyoung’s forehead.

Jumong Buyoung under the open sky_ep_11

Jumong hugs Buyoung under the open sky.

Last glimpse of Buyoung_ep_23

Buyoung wishes Jumong farewell as she and her siblings walk away, along the mountain path

For me three of among the most touching scenes in Jumong were when he hugged Buyoung under the open sky, when the ‘brothers’ knelt together in a covenant after Buyoung’s first rescue, and in her last scene where she turned around on the mountain path to silently say goodbye to Jumong for ever. She is among my favorite characters and this little discussion on her is a tribute.

Of course Soseono got Haemosu’s ring, the one Yeohwa gave to Jumong. That’s very symbolic, like Seongyon inheriting Dongyi’s ring through Geum before he died. Of course Soseono got to save Jumong’s life, fishing him out of the quicksand with the help of Wootae. That establishes a very strong connection between him and her. Soseono stakes her reputation and her business in her support of the fledgeling Jumong. She hands out her wealth to make a grand palace for him. Soseono goes to battle side by side with him. She supplies Jumong’s battle needs. She decimates assassins for him. She even banishes her relatives for him. She welcomes and protects Yuri and Ye Soya on their return to Jumong. She is never the capricious queen. She metes out justice and does not permit those closest to her to play out on power. She protects her sons from going over to the dark side. She can govern in place of Jumong. She is almost perfect.

Jumong’s and Ye Soya’s meeting was also “magical”, to borrow King Sukjong’s description of his first meeting with Dongyi and then with Geum — in the sense that it was similar to his parents’ meeting. Jumong and Haemosu were severely wounded unknowns and were treated back to life by pretty clan-chief daughters who live beside the river. But although this treating-back-to-life theme is romantic it didn’t  endear Yeon at all to me for Muhyul. Instead, I felt that it’s Deojin and Yeon who should have been together — that scene where Yeon was sitting weak and still in prison and Deojin could only bottle up his anguish at the sight, while Park Wan-kyu’s For As Long As I Live starts to play softly, was really as touching as could be and made me embrace Deojin the way I embraced Kiha.

That Jumong and Soya were “fated” to be together as seen in how their meeting mirrored that of Haemosu and Yeohwa is again seen when images of escaping Yeohwa-with-baby-Jumong were flashed during escaping Soya-with-baby-Yuri. Although Jumong was definitely “going home” to Soseono, after being wounded in battle and abandoned to be swept away by the river, but now his buddies having searched for and saved him, and Soya as well, there was no instance where he neglects Soya. It’s heartwarming how he repeatedly rescues her against that very aggressive traitor orabeoni. It’s heartwarming how he introduces her to his mother. It’s heartwarming how Yeohwa welcomes Soya with understanding and enthusiasm—and she does not compare her with Soseono at all. It’s heartwarming how the king appreciates her and thinks fondly of her father. It’s like making it clear for all to see right from the start that Soya and Jumong are together. All interactions between them, from the first to the last, are harmonious, peaceful.

Jumong is visibly at rest and at home with Ye Soya—he made her a part of him and refused to sever their tie from the first day they met until he found her again. This is absolutely not the case with Choyeong and Gye Baek. He was indifferent to her until the time that the series had to marry them off. Choyeong was extremely rude to him and was disproportionately envious of his and Eun Go’s bond—hardly a respecting-the-person-Gye-Baek foundation material. Even the muddled Jo Minjoo gave this respecting-the-person to the more muddled Sae Hyuk the first time they crossed paths, when he crossed the road at the wrong time.

When Gye Baek had to be exiled off with Choyeong and the rest of the gang the series informed us of Eun Go’s “permission”. She accidentally overhears Choyeong’s confession of love to Gye Baek and so she “has to let him go”, towards a life without her. That’s why it was a relief for me when it wasn’t only Choyeong’s face present at Gye Baek’s last breath—more importantly his children were there. Children are representatives of “new life” and I had to give that to Gye Baek after he “died” when he lost Eun Go. The poor puppy of a victimized clean-hearted general has to be made to smile at his final scene. It is a must.

Although the buddies empathized with Soseono at Jumong’s marriage to Soya, they had nothing against the marriage itself. Daeso and Seolran were malicious in suggesting it, to hurt both Soseono and Jumong, but it served to “settle” the ex-couple, that eventually became a ‘couple’ again. Soseono becomes a good wife to Wootae the valiant, a good mother to their two sons, and a strong clan leader. Jumong devotes himself to Goguryeo, to his parents’ dream, and to reclaiming his family. With these being settled Jumong and Soseono became partners for the mutual benefit of their constituents. Their partnership was now on the business side and it showed thoughout the series. On the positve side of it, none can say that Soseono was unfaithful to Wootae nor that Jumong was unfaithful to Soya, even until the three boys have finally grown up. When Soseono was gently breaking the news to her two boys over Yuri’s sudden appearance, the three’s affection for Wootae was clearly put across in the dialogue. Soseono reminds them that their father gave them their names, Biryu and Onjo, and so they must live up to their parents’ wish for them, to be generous and welcoming.

It’s as if Wootae was to Soseono as Choyeong was to Gye Baek—second choice spouses with children to cement the connection. But even seen from this angle Wootae’s character still has much more substance than Choyeong’s. Wootae was a pillar to Soseono and I cried with Soseono when he died. Gye Baek’s future wife, on the other hand, could might as well have been anyone he met during his exile, just so the series could provide a family for him to… well… we already know what to, at the ending…

When Jumong was parted from Soya the hope of having her by his side again did not leave him. His constant passionate partner in this hope is Ohyi, the brother-friend who was the most mad at him over Buyoung. In fact, Ohyi later got to slap Daeso’s wife for her treatment of Soya at the palace. The hope intensified at Soya’s pregnancy, and then at Yuri’s birth. Perhaps this hope has the foundation on Haemosu’s instruction for him to not fail to protect “the one by his side”—which for Haemosu was Yeohwa, and now for Jumong it means the three: mother, wife, and child. That scene where Soya reads Jumong’s letter for Yeohwa and her is among the sweetest expressions of love I have come across.

It is these scenes, minuscule as they are, that solidifies my stand that Soya was not only there to serve as a mother for Yuri. Jumong felt more than duty towards Ye Soya. She healed him of his broken heart. She, in turn, didn’t feel insecure over the partnership of Jumong and Soseono. She gives to him whatever it takes for her to support his dream—for his parents and for the people—and this is her strength, that she gives even though she has nothing herself, and does not ask for anything in return. Yeohwa successfully transferred her strong will to her, to survive, but unlike Yeohwa she had nothing and no one to lean on to. Her only purpose for living was to bide for the right time to bring Yuri to Jumong.

Hyeopbo said the pain of losing mother and son has never left Jumong for one day.  There were no more affectionate scenes between Soseono and Jumong after she got married to Wootae, that is, when Ye Soya appeared in the series. Sure, Jumong never abandoned his support for Soseono (and it’s heartwarming how he and Wootae appeared to be “friends”, never rivals), but it always had the flavor of “business”. Whereas with Soya and Yuri, even after his mother was gone, it was always deep-seated feelings, one that Soseono isn’t allowed to share. Jumong’s angst over his beloved three is shared only with his brother-friends: Mopalmo, Musong, Ohyi, Mari, Hyeopbo. There was that sweet scene among them drinking at a feast table, together with the later three Jaesa-Moogul-Mukguh, where Jumong was teased about being happy to see Soya again. Ah, that gave me a high. Then following that scene we are shown that Jumong sleeps at Soya’s chamber, like regular husband and wife and not monarchs who sleep separately, with Jumong mulling over a crucial decision over leaving Buyeo for ever while from time to time glancing at his peacefully sleeping pregnant puyin (wife).

Soseono may have loved Wootae the way Jumong loved Soya, but here’s the argument: Jumong did not transfer to Soseono the place he reserved for Soya in his heart even after he and Soseono got married, even after everyone else believed that his first wife and son are dead. He may have continued to love Soseono but she was not allowed to enter the home in his heart where Soya and Yuri are. Soseono was not able to take over that home in the same way that I suspect Choyeong wasn’t able to take over Eun Go — Gye Baek simply had to come to her prison cell and give her encouragement as he was about to go into battle. Despite everything that happened Gye Baek does not abandon Eun Go in the end. Eun Go did not deserve this faithfulness from him the way Chae Ohk deserved it from Hwangbo Yoon. As he himself said it to her, her sin is unforgiveable. Yet he stood by her side. Chae Ohk, on the other hand, got it relatively easier with Yoon.

It was horrific how Seolran, Daeso’s wife, treated the pregnant Soya. It was magnificent how both mother and child survived that treatment. It was magnificent how the pampered clan-chief’s-daughter Soya managed to rear a Yuri up worthy of a Jumong-son. It’s anti-climactic how Soya and Jumong across the crowd locked eyes for the briefest moment, during the contest-fight of Yuri and Biryu, and then she had to disappear fast — just because she does not want to give him problems. Still, he searched for her. It’s painful how he and Ohyi just didn’t give up on the search until Yuri was 18 years old. Sure Soseono gave so much to Jumong, but she was never alone in it. She had her clan, her family, her wealth, her self-confidence, her brains. Soya had only the innocent Yuri and nothing else. They did not have a safe place to stay, were always in hiding. Soya’s health just kept on worsening. They were ostracized because Yuri had no father to speak of to the world. The only treasures that Soya can give to Yuri were love, an upright upbringing, and literacy.

The most intense emotions coming out of Jumong’s face in the entire series were in these scenes: his first meeting with Yuri, finding Soya again, and witnessing the blacksmiths’ quarters burn while thinking that Yuri was inside. Seeing how Song Il Gook does not tend to over-react, these three scenes are not superfluous. These events deserve such emotions from Jumong. Soseono cried for Wootae but Jumong sobbed his heart out for Ye Soya and Yuri.

Granting, Jumong was really in pain over Soseono’s departure. That was intense, too. Still, it was because she chose to go. She could have stayed. King Sukjong had 3 wives all at once. Yisan had 3 also. Everyone in the kingdom wanted her to stay — and Soya has told her in their touching conversation that she will gladly depart from the palace once she gets strong enough. However, Soseono chose to be a mother first before being a queen. As I said, she’s almost perfect. It would break her heart to see her son Biryu wrestling over the crown with Yuri, whom Jumong clearly favors. However, Jumong has flatly stated to her that he wants Soya to stay with him for keeps. Meaning, keeping Soya with him was a priority. Soseono’s planned departure had no leverage on his giving up on how to treat Soya in the palace. He found her again and he intends to take care of her, as he should have always been doing, and as payback for the years she had to sacrifice herself, and Yuri’s childhood, for his and Soseono’s sakes.

Maybe it’s this constancy of intentions between Jumong and Ye Soya that makes them endearing to me. On the other hand, there was a time when Soseono was calculating her choices, between Daeso and Jumong. Sujini was money-greedy, yes, but her attachment to Dam Duk was without calculations even after he ridicules her and even after she discovers that he’s the prince, and then long after that until she decides to get as far away from him as possible. Chae Ohk and Hwangbo Yoon fought out their commitments to each other until the very end, amidst navigations along totally blind alleys. Yoon and Ohk momentarily let go of the reigns but they got right on back again — they simply couldn’t abandon each other. Whereas, Jumong and Soseono started out with calculating profits in mind and ended up with a political partnership, with just a bland friendship to show after the initial closeness.

Eun Go and Gye Baek, on the other hand, still managed to hug until the 29th episode — a military general doesn’t hug the queen unless he’s sure that it’s the right thing to do, which tells the viewers that in 29 out of the 36 episodes the bond between GyeBaek and Eun Go has remained. Until the very end there is only Gye Baek for Eun Go, a fact she made clear to him at their last conversation in the series, where she tells him that he’s the source of both her joy and her pain. Ui Ja did not come close to this — in fact she came to hate him. Gye Baek, too, has also told him that he will never forget how he separated, snatched away, Eun Go from from him, and that he refrained from revenge for the sake of Baekje.

If Eun Go had indeed “let go” of Gye Baek in the years they were turning into an adults then she could have married Ui Ja long before Gae Baek reappeared in their lives. Ui Ja’s in love with her and princes usually marry at a very young age (though, there’s the issue of the Crown Prince to look at, and I don’t know the mechanics on this, because when Geum was married off — before he was teen-aged at that — it was understood that he’s to live outside the palace as he’s not the crown prince). Eun Go stuck with Ui Ja for the sake of the joint revenge and of cleansing the country of corrupt nobles. When Gye Baek reappeared she’s all bent on protecting him. Ui Ja was with Eun Go in this, but it turned out later that Eun Go had to protect Gye Baek from Ui Ja even.

However, the story distorts: Eun Go exposed Gye Baek to danger when she gave out to Silla information on his battle plans. Whew. This part is very hard for me to accept. Chae Ohk’s and Jang Sung Baek’s saranghae to each other, in the cave, and Yoon’s engagement to Nan Hui, were easier for me to accept than this. In fairness, Eun Go could not forgive her own self for this. Fortunately she did an about-turn (there are so many U-turns in this drama and I haven’t fully pegged them out yet; it actually turns out that her trip to the “other side” was a self-appointed mission to avenge Baekje). She came back to Baekje, to pay out her sins, to give a very valuable information about the enemies’ plans, to give to Ui Ja the responsibility of meting out her death, to make it clear to Gye Baek that she does care more for the people than for her life.

Theirs is an ending sadder than Dam Duk and Kiha’s. Dam Duk got to walk towards Kiha’s direction at least. But still here’s the argument: Choyeong never got the passion that Gye Baek has always shown towards Eun Go. I’m still on my way to counting the number of hugs and handclasps Eun Go and Gye Baek made on the entire series — I think it exceeds those of Gou’er and his gugu-teacher-wife Miss Long’s (Return of the Condor Heroes 2006). Until Choyeong jumped on Ui Ja (and so deverved death) and spoke of her love for Gye Baek on her supposedly death bed, there has always been Eun Go for Gye Baek. It’s not that I’m against girls declaring of their love first — Jo Minjoo did this to Officer Park while dangling from a building (Crime Squad) — it’s just that it seems to turn out like, otoke, Gye Baek with Choyeong and the rest of the gang are exiled together and so it’s quite normal that they end up together. Although, I’m thinking of how come Min Jung Ho didn’t get married at all after his end-of-the-line separation from Jang Geum (maybe there are no girls there where he was exiled?).

As I reasoned out in another post Eun Go and Gae Baek had to be separated because he had to kill his wife (and kids) in the end, and this is not supposed to be Eun Go because she’s supposed to be a powerful political villain — all according to some historical account out there. Notwithstanding, the Gye Baek-Eun Go relationship is a main thread in the series and is intricately woven into Ui Ja’s life. It’s a major factor in this weak king’s decision making. It’s his downfall. He just had to separate Eun Go from Gae Baek, and he succeeded. I lament for my favorite pair. Theirs was not a perfectly magical bond even right at the start. Eun Go’s will is in fact stronger than Sa Taek Bi’s and so the gently-reared Gye Baek is no match for her during arguments. But Eun Go, just by her own volition, willingly lets her heart melt towards Gye Baek and not for the reason that at that time he was already adolescent-crazy over her. She just ups and decides to take care of his needs and supports him in her own way regardless of consequences to her. She simply decided to embrace him despite her adoptive clan’s objections. (I need to check again if General Mu Jin was the major factor in this).

It is endearing to consider that Gye Baek and Eun Go held on to each other despite years of separation (first while yet teen-agers and for ten years, and second for seven years after Eun Go’s survival-marriage to Ui Ja), and despite the distance of their social status. Eun Go is a very rich merchant and the best friend-turned-adopted sister of the queen. Gye Baek grew up with a one-armed drunkard of a father and waits on tables for a living. But Eun Go cooks twice for Gye Baek in the series. She rolls up her sleeves and helps him clean his old house. She launders for him at the stream. What’s big is that she spends her wedding night with him instead of with Ui Ja her husband. Then, even before she knows when she might meet Gye Baek again after years of separation, she makes winter clothing for him and carries it along with her for the chance of handing it over to him — and she was already Ui Ja’s concubine all this time.

At least three times in the series Gye Baek urges Eun Go to run away with him. But Eun Go is always held back by one thing or another. Foremost of this is the thought that once she gives in to Gye Baek he will never have the chance to fulfill his father’s dream, to rid the people of suffering, which is primarily due to the corruption of the powerful nobles. The two hyungnim-advisors, Seong Chung and Heung Su, were subsequently instrumental in showing to him this very point that Eun Go keeps on arguing with him about, that it’s his power as the General Gye Baek that makes things possible for him to accomplish. If Eun Go should be accused of being power hungry, I’d say that she’s not. I’d say that she was honest to Seong Chung when she told him, before she had him killed, that she will become a nun once Prince Hyo her son “ascends the throne”.

Ye Soya and Eun Go were similar in that they were both left to fend for themselves. They had none to depend on. It went on like this for Soya until Jumong found them again. It went on like this for Eun Go until Ui Ja decided to get out from his pretend-coma. But whereas Soya remained the angel, Eun Go went all out and really schemed, lying through her teeth and justifying her crime. Still, she went back to Gye Baek’s side like the way Chae Ohk went back to Hwangbo Yoon’s side. That’s the main point.

Many say that the opposite of love is not hate, but indifference. Dam Duk became indifferent to Kiha (which makes me sympathize with her despite my happiness over the DamDuk-Sujini pair). Eun Go eventually hated Ui Ja, though I’m not happy about the way she shamelessly manipulates him, which incidentally is a strong expression of her indifference to whatever will be the effect on him.  Nevertheless, Ui Ja deserves contempt. But Gye Baek did not become indifferent to nor hated Eun Go. He was about to face an impossible battle but, and despite of Eun Go’s depression, he still goes out of his way and talks gently to her. I find it redemptive how both had the chance to wish the best for each other during that final meeting they had. If history did not insist that Gye Baek had a family it would have been Eun Go’s face he sees with his last breath at the battlefield. If history didn’t insist that Gye Baek has to have a wife, he and Eun Go were almost like Chae Ohk and Yoon — circumstances pry them apart but they keep gravitating back towards each other. Their bond is simply strong, and elastic.

Yihwa and Joongwon, 300 years ago.

Yihwa, Joongwon, 300 years ago.

Aha. This gives me now a concrete line of reasoning for preferring Yihwa over Jiwoo for Joongwon (Freeze). For 300 years Yihwa and he had been together. Why in the first place did he risk his life in rescuing her that first time they met? There must have been something in there between them. It was just Yihwa who knows of the monster in him. If he wanted to end everything so badly then he perfectly knew the very way to do it. It wasn’t a great unknown and could easily be done. Jerome Eugene Morrow did it the neatest way possible (self-immolation, in Gattaca). Yihwa would have already been there, at the other side of life and at rest, had he not interfered. But Joongwon had to brood it out all the while knowing that he has Yihwa to watch over his back. For 300 years this couple had together perfected sophistication that there was nothing left novel about life. Yihwa goes through it carelessly, breaking hearts along the way. Joongwon was dead bored with the material aspect of life that he has become a minimalist. With this same perennial boredom, his self-loathing could not be shaken off also. We had to be led to 300 years after their meeting so that we’d be able to witness two resolved vampires dying.

Jiwoo and her very lovable boyfriend.

Jiwoo and her sweet boyfriend

I wonder how many loves Connor MacLeod had over his 500+ years of life (The Highlander, with Christopher Lambert). He did love each one of them. With Joongwon we are informed of only Jiwoo, and her mother who was the most beloved mortal to him. Though this “little girl”, as Yihwa refers to her, was just a child when they first met, Meggie was also a child when she met Ralph de Bricassart (The Thorn Birds, 1983 TV series). But Meggie’s “What else have I ever done but pay for the great sin of loving Ralph de Bricassart?” could not possibly become Jiwoo’s line because she has another boyfriend, and he is so lovable and is of her generation. Besides, she has reconciled with her now very sober and loving father. The discovery that she and her mother had the same lovers should have been more shocking to her than losing Joongwon “in an accident”, or finding out that he’s a blood-imbibing living-dead.  After all she worked really hard at seducing him, all the while believing that their parents were lovers, which to her puts a right-ness into it. Besides, Jiwoo would have been just a redemption for her mother, in view that he really was happy with “that little girl” but that he had to “hide” from her then so as not to endanger her to that which happened to his sister. “Declaring” himself to Jiwoo is tantamount to healing his pain with “that little girl”. Facing up his monster-ness to a valued mortal is tantamount to healing his pain over his sister. It’s like owning up to responsibility, a matter of integrity and honor.

This scene in Episode 5 confirmed my intuitive preference for the Joongwon-Yihwa couple. Joongwon gently gathers Yihwa to him.

I have no concrete reason in the lines of my arguments above why I root for Park Sae Hyuk and Jo Minjoo, because they can, after all, survive without each other. However, although Sae Hyuk and Eun Young, his ex-wife who was misinformed and manipulated by her father just to separate the two, still cared for each other…he stopped himself from even touching her shoulder.

Sae Hyuk refrains from touching his ex-wife. Ep.11. Sae Hyuk refrains from touching his ex-wife. Ep.11.a Sae Hyuk refrains from touching his ex-wife. Ep.11.b Sae Hyuk refrains from touching his ex-wife. Ep.11.c

She was mourning over their daughter Hye In but Sae Hyuk did not want to be misunderstood. He has decided to keep his distance from her and a simple touch would be a misstep. This non-act from Park Sae Hyuk’s banished my fear over his bond with Jo Minjoo, hazy as it may be till the end. The significance lies in this: that at that same time Jo Minjoo stayed where he left her earlier, and waiting for him to come back to the restaurant like he said he would.

But Joongwon gave it to Yihwa. He collects her close in a gesture that looks like they have always been at home with it. He relates more than just concern in this act. It’s similar to how Yoon or Sung Baek would touch Ohk’s face. Yihwa clears him of blame. He acts as her pillar now. They have always had this understanding between them. This is their most restful stance in their shared long lives. Granting that they were both starved at this time, still we were already shown that there is a way out of that starvation. This “coming together” has more than just physical hunger for a reason. And so I ask myself, what about Jiwoo and her mother? Where do their values lie for Joongwon? I’d say they were bursts of life in a long-dead existence, and so they are precious. Life is always precious. Love is always precious.

Joongwon has always cared for Yihwa. I can’t push that it’s the “infatuation” type, but “being there” all the time nonetheless, else he could have abandoned her long ago. The impression is that he doesn’t let her into it because we have to be shown the brooding side of him. He was just broody over the long years of constancy in their lives but he was not contemptuous of Yihwa. If any, he has taken her for granted. But he depends on her. The series is clear about this. She is literally his lifeblood. Joongwon can barely manage without her.

Dam Duk does not die by Jumong's sword.

Sujini catches Dam Duk before he falls flat on the temple floor. She sees him open his eyes again after Kiha stabbed him with Jumong’s sword.

Although Sujini is not a “lifeblood” to Dam Duk (just nearly), Joongwon is just like Dam Duk who doesn’t explicitly inform Sujini of her value to him (until he finds her again), because maybe that’s how the “ideal” goes. Maybe it’s a “male” thing. I don’t know. And the reason why Yihwa has stayed alive?—because he is alive. Ah. So like Yoon and Ohk. Except Yoon and Ohk are articulate about this to each other — surprise!

Joongwon is clear about how he blames Yihwa for his condition. What we have in the end is therefore a closure, a coming into full circle. He rescued her and she is happy she met him, and she tells him so. She stuck with him till the end, owning up the responsibility of reviving him into a life of struggle. Yihwa’s life, in essence, was already complete at his arrival into her life. She was just only waiting out until he is healed of the damage she caused him, until finally we have two multiple-lifetime companions meeting up with the heavens in smiling anticipation.

If my arguments have not been logical at all then I rest my case. Perception being relative cannot be over-emphasized. Beauty is in the eye of the beholder. Etc. 🙂

added 16.April.2014.

Good evening. How are you? Welcome again. At last I can put some of Lady Ye Soya’s captures here. Instead of including just her I decided to get some also from Episode 54. In here Jumong has been invited by King Geumwa back to Buyeo. Jumong arrives with the king’s personal bodyguard and the Damul’s six leaders under General Jumong: Mari, Hyeopbo, Ohyi, Jessa, Mugol, and Mukgo. This is the first time Jumong sets foot again inside the palace after that attempt to get out Yeohwa and Soya in Episode 50, that time when Yeohwa couldn’t go because she was so sick and already pregnant Soya met Jumong at the temple where he broke off half of the short sword for her to keep for their child as proof of his fatherhood.

Jumong ep 54 the Damul leaders visit BuyeoHere is General Jumong of the Damul Army and his officers, plus the king’s bodyguard, ascending the stairs to the main royal hall, to greet his foster father the king who is waiting for him there.

After greeting the king the 6 companions are ushered into a room for refreshments, to be warmly welcomed as guests of the king’s adopted son. Jumong shortly goes to his mother’s house, where his pregnant wife waits with her for him.

The 7 men are already relaxed with their banter, food, and wine. The king’s bodyguard was originally at the head of the table but he gets called out by a messenger. In a little while General Jumong arrives. They continue with the merriment at this small banquet, one they never had together because of their life as founders of Damul. Then Jumong gets teased by Hyeopbo, who in turn gets teased by Mari and Ohyi, as the other three just laugh along.

When the royal bodyguard went out it was to meet a general of Buyeo. The secret talk was about eradicating Jumong for the sake of Buyeo, which is the Prime Minister’s action-response for King Geumwa’s wish for a peaceful Buyeo. Jumong and the king has talked about this surprising change of heart in Geumwa’s case. Discouraged, he talks to his mother about this in her chambers. Her consistent response to him is that his duty is to carry out his father Haemosu’s dream, which is to gather their displaced and suffering people and re-form their lost nation against the might of the Han.

Jumong has to decide once and for all, of whether to continue with his father’s dream and disappoint his foster father, or to please Geumwa and to abandon everything that his family and many loyal friends and supporters have worked so hard for. He retires to Soya’s chambers. He now wears his sleeping robes and pregnant Soya is already resting though without her blankets on. Thus in this scene there is only Jumong’s face to look at, at the change from deliberation to an arrival at a decision after taking into consideration everything, including the risks to their unborn child.

The following day Jumong and Soya head for their mother’s house, to speak of his decision to leave Buyeo. As they round a corner they are seen by Soseono and her father from a distance. The father and daughter wish to speak with the king today, and so they have entered the palace. Jumong and Soya seem to be in a conversation as they walk. As is proper, Soya shows deference to her husband while in public, by walking slightly behind him. This might be just for the camera angle here, or it may not be so in Korea, but in Japan this is certainly the norm, and thus this is how I take it here to be, too.

Yeohwa fully agrees with him, as expected. She suggests to Soya that she leaves with her husband. This, I think, is one of those unfortunate decisions made by this family — but otherwise the ensuing drama out of this decision wouldn’t have materialized, which is, the losing and the finding of Jumong’s family. Soya should have said “yes” to her mother-in-law’s suggestion but since they have no idea of the brewing evil plan against Jumong the ladies decided for the common sense that the baby’s birth can be more attended to while Soya is in the safety of the palace, in the company of the soon-to-be grandmother of the baby. Though they knew that King Geumwa will be disappointed by Jumong’s decision still they had the confidence that no mishap will ensure, especially that Jumong’s decision is what Geumwa had hoped to accomplish also since in his youth together with Jumong’s father.

Jumong, though primarily a narration about a hero’s life, has many subplots that are in themselves complete stories. There’s the life of Geumwa and his troubled family, of Soseono’s growth into a mother and a strong leader, of the tragedy that is Ye Soya since her tribe was betrayed by one of their own, of the happy-sad love triangle that is Haemosu-Yeohwa-Geumwa, of Wootae’s life as a servant’s son who became the master’s son-in-law as well as the leader’s husband, of Daeso’s triumphs and failures both in his public and personal lives, of Youngpo’s misadventures, of Yuri’s coming out into his own… Jumong isn’t called a drama for nothing, and it has stayed as one of the best.